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The artwork is by Lee Sullivan, which I love as it feels very 60s. The Zarbi and the Animus from ‘The Web Planet’ make an appearance.Ĭhapter 2 called ‘Bazaar Adventures’ features the Second Doctor Jamie and Zoe. I enjoyed the story with the Doctor meeting Thomas Huxley in Victorian London.
The artwork is by Simon Fraser, which I didn’t really like. I was anxious for the Doctor losing his companions and wondered how he’d rescue them.Ĭhapter 1 called ‘Unnatural Selection’ features the First Doctor, Ian, Barbara and Vicki. This left me as the reader in suspense and wondering what’s happened. This also gets revealed later on.Įach of the Doctors’ stories ends with their companions are kidnapped by the mysterious cloaked figure and the Doctor is alone. His identity gets revealed later, but he’s determined to remove the Doctor’s companions from his timelines.
In each of the eleven Doctors’ stories of ‘Prisoners of Time’, a mysterious cloaked figure watches the Doctors and their adventures with their companions. But it still manages to hold together somehow. I wished the artwork in this story was consistent as some of stories with the different Doctors disappointed me. The story is by Scott and David Tipton, with comic artwork done by various artists including Simon Fraser Lee Sullivan John Ridgway etc. It would be heaven for a ‘Doctor Who’ fan! Or at least have Big Finish produce this story with all of the Doctors like ‘The Light At The End’ and include Christopher Eccleston David Tennant and Matt Smith.
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I wish this multi-Doctor story in comic form became the TV adventure that I wanted to see. With some of my favourite companions joining the Doctors, it was a joyful treat. I’m very pleased this comic story in graphic novel form celebrates the 50th anniversary of ‘Doctor Who’ properly by featuring all the eleven Doctors which was what I wanted unlike the TV story ‘The Day of the Doctor’. The last issue in December starred all the eleven Doctors and companions in the story’s final showdown. It was released in twelve monthly issues with each of the Doctors from 1 to 11 in turn from January to November. This story features the eleven Doctors for the 50th anniversary of ‘Doctor Who’. I was looking forward to reading the twelve stories featuring all the Doctors and companions. I purchased this graphic novel at the ‘Cardiff Film and Comic Con’ in 2014 which was a fantastic and memorable weekend! It’s taken me a while to get round to reading this graphic novel from start to finish. ‘Prisoners of Time’ is a fantastic graphic novel from IDW comics that definitely celebrates the 50th anniversary of ‘Doctor Who’ in all its glory! After enjoying the ‘Doctor Who’/ ‘Star Trek’ crossover adventure, ‘Assimilation 2‘, I saw no reason to not purchase this celebratory story in its complete form!
This should have been made as a TV story or a Big Finish audio with all the Doctors and companions! The Eleven Doctors – Celebrating 50 Years of ‘Doctor Who’įor Leigh (IWishIHadATARDIS), a ‘keen reader’
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Davies' takes on the wibbly-wobbly timey-wimey adventures of the Doctor and his assorted companions but this issue's unerringly rigid point A to point B structure is ultimately a bit of a letdown.Please feel free to comment on my review. Perhaps I've simply been spoiled by years of Steven Moffat's and Russel T. What follows is a story so painfully straightforward that it is almost completely lacking in surprises or unexpected twists. The Doctor gives them the skinny on the mall's shady underbelly over some space tacos and, in true Who fashion, one thing leads to another and before they know it, the gang is on the road to busting up a slave trading ring. It's perhaps not as thrilling as it sounds. The trio's adventure begins in an overblown mall, where they peruse bicycles and meander about the food court.
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There's an almost vintage feel to the book's aesthetic that suits the adventures of a Doctor pulled from the 60s and Phil Elliott's bright colors are well suited to that decade even if it does occasionally feel like one is drowning in an Easter basket full of fake grass and rainbow plastic eggs. The strength of Lee Sullivan's art is in how well he conveys his character's expressions and he captures Patrick Troughton's likeness perfectly.
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